A24’s Highest Grossing Films: Marty Supreme Claims the Crown
Photo Credit: A24
In a historical box-office upset just weeks into 2026, Marty Supreme has officially become A24’s highest-grossing film of all time. Josh Safdie’s R-rated sports dramedy starring Timothée Chalamet crossed the $147 million worldwide mark this month, dethroning the multi-Oscar-winning Everything Everywhere All at Once, which held the record for nearly four years at ~$145 million. Marty Supreme is a stylish, high-stakes look at a young ping-pong prodigy’s obsessive pursuit of greatness. The film had a limited release on December 19, 2025, went wide on Christmas Day, and has been a slow-burning hit ever since. It already became A24’s biggest domestic earner in January; now it rules the global chart as well.
Here are A24’s Top 10 Highest-Grossing Films Worldwide:
Marty Supreme (2025) — $147,000,000
Everything Everywhere All at Once (2022) — $144,986,358
Civil War (2024) — $127,339,353
Materialists (2025) — $106,436,908
Talk to Me (2023) — $91,942,102
Hereditary (2018) — $80,860,285
Lady Bird (2017) — $80,108,482
Moonlight (2016) — $64,828,447
Babygirl (2024) — $63,745,569
Heretic (2024) — $58,094,842
Marty Supreme’s climb is especially impressive given its $60–70 million budget and the fact that A24 rarely greenlights projects at this scale. With a China release still ahead and strong word-of-mouth, the film could push even higher. For a studio that built its reputation on bold, auteur-driven indies, this is a new era: original, star-led stories can still dominate the global box office. Marty Supreme didn’t just break a record — it rewrote what’s possible for A24.
A24 is kicking off 2026 with one of its most star-studded and genre-diverse slates yet. The year has already seen the release of Aidan Zamiri’s buzzy Charli XCX mockumentary The Moment (January 30) and Pillion (February 6), while Glen Powell headlines the dark inheritance thriller How to Make a Killing on February 20. April brings Kristoffer Borgli’s wedding-week crisis dramedy The Drama starring Zendaya and Robert Pattinson (April 3), followed immediately by David Lowery’s lavish pop-star melodrama Mother Mary with Anne Hathaway, Michaela Coel, and FKA twigs (April 17). Later highlights include Michael Sarnoski’s gritty The Death of Robin Hood with Hugh Jackman and Jodie Comer (June 19), Olivia Wilde’s The Invite, and a packed roster of still-dated horrors, documentaries, and comedies—including Undertone, The Backrooms, and projects from Sofia Coppola, Jesse Eisenberg, and Ruben Östlund—making it one of the studio’s most ambitious years to date. We’ll see if any of these additions have what it takes to claim the #1 spot yet again.